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  Home Page » Art & Culture » Writing & Editing
   
 

Hero's Journey, Screenplay Structure, Screenwriter Structure - Spiderman 2 (2004)

   

Author: Kal Bishop
< P > F r o m o u r d e c o n s t r u c t i o n o f h u n d r e d s o f H o l l y w o o d b l o c k b u s t e r s a t w w w . m a n a g i n g - c r e a t i v i t y . c o m / < / P > < P > T h e H e r o s J o u r n e y i s T H E s c r e e n w r i t i n g a n d s t o r y s t r u c t u r e t e m p l a t e . B y u t i l i s i n g t h i s s t r u c t u r e , s c r e e n w r i t e r s c a n q u i c k l y b u i l d e f f e c t i v e a n d q u a l i t y s t o r i e s . T h e r e a r e m o r e t h a n 1 8 8 s t a g e s t o t h e H e r o s J o u r n e y . < / P > < P > L e t s l o o k a t S p i d e r m a n 2 ( 2 0 0 4 ) w h i c h h a s r e c e i p t s o f m o r e t h a n $ 3 7 3 , 0 0 0 , 0 0 0 . T h e c l e v e r t h i n g a b o u t t h i s m o v i e i s t h a t t h e a n t a g o n i s t ( D o c O c k ) i s m e r e l y t h e B - s t o r y . < / P > < P > < B > S p i d e r m a n 2 ( 2 0 0 4 ) S u m m a r y < / B > < / P > < P > C a l l t o A d v e n t u r e : H a r r y t e l l s P e t e r P a r k e r h e s h o u l d g o f o r i t M J i s c r a z y a b o u t h i m , h e s h o u l d t e l l h e r h o w h e f e e l s . < / P > < P > R e f u s a l o f t h e C a l l : P e t e r c a n t t e l l M J h o w h e f e e l s h e i s S p i d e r m a n a n d i f h i s e n e m i e s f o u n d o u t h i s f e e l i n g s f o r h e r , s h e d b e i n d a n g e r . < / P > < P > S u p e r n a t u r a l A i d : A u n t M a y i s P e t e r s s p i r i t u a l g u i d e . S u p e r n a t u r a l A i d s u s u a l l y g i v e a m a g i c a l g i f t , a m o n g o t h e r t h i n g s . H e r e , P e t e r i s b r o k e a n d A u n t M a y s i m p l y g i v e s h i m m o n e y . L a t e r s h e w i l l s e t h i m b a c k o n t h e r i g h t p a t h . < / P > < P > C r o s s i n g t h e F i r s t T h r e s h o l d : P e t e r c o n s c i o u s l y d e c i d e s t o a c c e p t t h e c h a l l e n g e h e w i l l r e v e a l h i s f e e l i n g s f o r M J a n d h e w i l l g o a n d s e e h e r p l a y . A s n o r m a l , T h r e s h o l d G u a r d i a n s b l o c k t h e w a y t h e U s h e r a n d t h e P o l i c e m a n . < / P > < P > P h y s i c a l S e p a r a t i o n f r o m t h e O l d W o r l d ( B e l l y o f t h e W h a l e ) : M a y J a n e s a y s N o . S h e i s w i t h s o m e o n e e l s e . P e t e r s t o o l a t e . H e d i d n t m a k e t h e p l a y . < / P > < P > T r a n s f o r m a t i o n ( R o a d o f T r i a l s ) : P e t e r b e c o m e s d i s i l l u s i o n e d w i t h h i s p o w e r s ; b e g i n s t o l o s e h i s S p i d e r p o w e r s ; f r u s t r a t i o n i n c r e a s e s a t h i s i n a b i l i t y t o w i n o v e r M J . D o c O c k i s b o r n a n d h i s t h r e a t i n c r e a s e s . A f i f t y - f i f t y w e i g h t i n g o f t r a n s f o r m a t i o n a n d t r i a l s . < / P > < P > T h e I d e a l , S e i z i n g t h e S w o r d ( M e e t i n g w i t h t h e G o d d e s s ) : A v i s i t t o t h e D o c t o r a n d P e t e r r e a l i s e s h e h a s a c h o i c e . P e t e r d e c i d e s t o r e l i n q u i s h b e i n g S p i d e r m a n c o n t r a r y t o t h e a d v i c e o f U n c l e B e n ( M e n t o r ) . H i s r e w a r d i s M J P e t e r f i n a l l y g e t s t o t h e p l a y a n d M J g r o w s c l o s e r t o h i m a g a i n . < / P > < P > R e b i r t h t h r o u g h D e a t h ( W o m a n a s T e m p t r e s s ) : P e t e r s a v e s o n l y o n e c h i l d f r o m t h e b u r n i n g b u i l d i n g ; h e r e a l i s e s t h a t h i s d e c i s i o n n o t t o a c t ( a s S p i d e r m a n ) h a s c o s t l i v e s . < / P > < P > A t o n e m e n t : A u n t M a y a n d H e n r y ( h e r b o y h e l p e r ) c o n v i n c e P e t e r t h a t b e i n g S p i d e r m a n i s a v a l u a b l e g i f t . < / P > < P > A p o t h e o s i s : E v e r y b o d y l o v e s a h e r o . B y b e i n g S p i d e r m a n , h e m a y a c t u a l l y b e a b l e t o w i n M J s l o v e . < / P > < P > U l t i m a t e B o o n : P e t e r s S p i d e r p o w e r s r e t u r n . < / P > < P > R e f u s a l o f t h e R e t u r n : N o w P e t e r c a n n o t t e l l M J h e l o v e s h e r . < / P > < P > M a g i c F l i g h t : D o c O c k k i d n a p s M J ; S p i d e r m a n b a t t l e s D o c O c k a n d s a v e s t h e t r a i n a n d t h e p e o p l e i n s i d e f r o m d e a t h . < / P > < P > R e s c u e f r o m W i t h o u t : S p i d e r m a n c o n f r o n t s H a r r y a n d f i n d s o u t w h a t D o c O c k i s u p t o . < / P > < P > C r o s s i n g t h e R e t u r n T h r e s h o l d : S p i d e r m a n t r a v e l s t o D o c O c k s l a i r i n a n a t t e m p t t o s t o p h i m . P r o t a g o n i s t a n d a n t a g o n i s t b a t t l e . < / P > < P > M a s t e r o f t h e T w o W o r l d s : S p i d e r m a n c o n v i n c e s D o c O c k t o d o t h e r i g h t t h i n g . < / P > < P > F r e e d o m t o L i v e : M J f i n d s o u t P e t e r i s S p i d e r m a n ; s h e d e c i d e s t o b e w i t h h i m ; s h e l l m a k e t h e c h o i c e . < / P > < P > T h e d e t a i l e d d e c o n s t r u c t i o n a n d t h e < B > C o m p l e t e 1 8 8 s t a g e H e r o s J o u r n e y a n d F R E E 1 7 s t a g e s a m p l e < / B > a n d o t h e r s t o r y s t r u c t u r e t e m p l a t e s c a n b e f o u n d a t h t t p : / / w w w . m a n a g i n g - c r e a t i v i t y . c o m / < / P > < P > Y o u c a n a l s o r e c e i v e a r e g u l a r , f r e e n e w s l e t t e r b y e n t e r i n g y o u r e m a i l a d d r e s s a t t h i s s i t e . < / P > < P > K a l B i s h o p , M B A < / P > < P > * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * < / P > < P > Y o u a r e f r e e t o r e p r o d u c e t h i s a r t i c l e a s l o n g a s n o c h a n g e s a r e m a d e a n d t h e a u t h o r ' s n a m e a n d s i t e U R L a r e r e t a i n e d . < / P >
Author Bio:

Kal Bishop

Kal Bishop is a management consultant based in London, UK. His specialities include Knowledge Management and Creativity and Innovation Management. He has consulted in the visual media and software industries and for clients such as Toshiba and Transport for London. He has led Improv, creativity and innovation workshops, exhibited artwork in San Francisco, Los Angeles and London and written a number of screenplays. He is a passionate traveller.

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